Tiffany Studios New York Monumental "Peacock" Vase
Regular price
$65,000
This majestic Tiffany Studios peacock vase, in a grand baluster form, displays a mesmerizing pulled-feather design in matte green and iridescent blue luster glass. The feathered 'eyes' shimmer with concentric rings of black, sapphire, and luster, echoing the regal splendor of a peacock in full display. Invented by glass chemist George J. Cook in 1895 under Louis Comfort Tiffany’s visionary guidance, peacock glass became a vivid emblem of Tiffany’s artistic fascination. As Art Nouveau pioneer Siegfried Bing noted during Tiffany’s 1899 Grafton Galleries exhibition in London, the peacock motif offered 'a theme admirably adapted to display his skill in glass blowing.' After a year of tireless experimentation, Tiffany unveiled a dazzling array of vases, each unique, capturing not only the delicate essence of the peacock feather but also an ethereal, iridescent light that seemed almost supernatural.
Item #: T-21953
Artist: Tiffany Studios New York
Country: United States
Circa: 1900
Dimensions: 22.5" height, 8" diameter
Materials: Favrile Glass
Signed: X. L.C.T.
Item #: T-21953
Artist: Tiffany Studios New York
Country: United States
Circa: 1900
Dimensions: 22.5" height, 8" diameter
Materials: Favrile Glass
Signed: X. L.C.T.
For Tiffany, the peacock was the living incarnation of iridescence in the natural world. In a letter to Hugh Mckean, Tiffany’s granddaughter Helena de Kay recalled that Tiffany raised peacocks for consumption in his farm complex. Entranced with their beauty, Tiffany would bring the birds from the farm to wander the grounds of Laurelton Hall. As part of a spring flower-viewing party, a sixty-six-year-old Tiffany threw his now-fabled “Peacock Feast.” The guest list included notable artists, architects, sculptors, and literati who would laud the soirée for years to come. The theme of the party is ascribed to the legend of Juno and Argus from Ovid’s Metamorphoses. According to legend, Juno kidnaps Jupiter’s lover Io, and sets her hundred-eyed giant Argus to the task of guarding her. In vengeance, Jupiter dispatched Mercury, the messenger of the gods to behead Argus. Upon seeing his lifeless body, Juno decorated the plumage of the peacock with Argus’ eyes.
For the feast, peacocks from Tiffany’s farms were flayed, roasted, and redressed in their gorgeous plumage. Tiffany based the format of the peacock feast on medieval Christmas tradition. Towards the end of the feast, the peacock was brought ceremoniously with music to the end of the table. The train of ladies ordered from highest to lowest rank would march to the master of the feast. Subsequently, the champion of the day’s tournament would carve the fowl and demonstrate his swordsmanship by apportioning equal servings to every guest. At the end of the carving, the knight would place his hand upon the bird’s plumage and swear that he would be the first to plant his standard upon the walls of a besieged city, the first to strike a blow against the enemy and defend the honor of his lady.
The lady of the highest rank, Juno, was played by Tiffany’s family friend Phyllis de Kay, followed by a train of Tiffany’s grandchildren carrying salvers of roast peacocks, sucking pigs, ducklings, frog legs and turtles. At the end of the meal, a separate group of children bearing Tiffany lamps and rose petals led the 150 guests to the terraced garden for coffee and conversation.
For Tiffany, the peacock was the living incarnation of iridescence in the natural world. In a letter to Hugh Mckean, Tiffany’s granddaughter Helena de Kay recalled that Tiffany raised peacocks for consumption in his farm complex. Entranced with their beauty, Tiffany would bring the birds from the farm to wander the grounds of Laurelton Hall. As part of a spring flower-viewing party, a sixty-six-year-old Tiffany threw his now-fabled “Peacock Feast.” The guest list included notable artists, architects, sculptors, and literati who would laud the soirée for years to come. The theme of the party is ascribed to the legend of Juno and Argus from Ovid’s Metamorphoses. According to legend, Juno kidnaps Jupiter’s lover Io, and sets her hundred-eyed giant Argus to the task of guarding her. In vengeance, Jupiter dispatched Mercury, the messenger of the gods to behead Argus. Upon seeing his lifeless body, Juno decorated the plumage of the peacock with Argus’ eyes.
For the feast, peacocks from Tiffany’s farms were flayed, roasted, and redressed in their gorgeous plumage. Tiffany based the format of the peacock feast on medieval Christmas tradition. Towards the end of the feast, the peacock was brought ceremoniously with music to the end of the table. The train of ladies ordered from highest to lowest rank would march to the master of the feast. Subsequently, the champion of the day’s tournament would carve the fowl and demonstrate his swordsmanship by apportioning equal servings to every guest. At the end of the carving, the knight would place his hand upon the bird’s plumage and swear that he would be the first to plant his standard upon the walls of a besieged city, the first to strike a blow against the enemy and defend the honor of his lady.
The lady of the highest rank, Juno, was played by Tiffany’s family friend Phyllis de Kay, followed by a train of Tiffany’s grandchildren carrying salvers of roast peacocks, sucking pigs, ducklings, frog legs and turtles. At the end of the meal, a separate group of children bearing Tiffany lamps and rose petals led the 150 guests to the terraced garden for coffee and conversation.
